I mean, you take one look at Greek statues and Roman busts and you realize that people figured how to aim for realism, at least when it came to the human body and faces, over 2000 years ago.
Yet, unlike sculpture, paintings and drawings remained, uh, “immature” for centuries afterwards (to my limited knowledge, it was the Italian Renaissance that started making realistic paintings). Why?
Realism wasn’t necessarily the end goal of a lot of painting. When you look at old Christian art one thing to notice is that different people can have vastly different sizes. The virgin mother may be most prominent, some patron saint smaller, and the artist themselves or the commissioner may be included as smaller figures. This play of scale was a device to show what was important and being sure to capture and portray that hierarchy was a more important goal than realism.
Tastes have changed.
Your judgement is different from their judgement.
What you are calling ‘realistic’ probably did not even exist then, and nobody missed it.
Take a look at this:
This is in the Museum of the Palazzo Massimo alle Terme in Rome, and it comes from an ancient Roman Villa in Rome. Probably painted in the first or second century CE. There’s walls of this stuff in the museum.
It’s not realism, but minimalistic sketches that, in many ways, outdo realism in artistic quality. To me, this looks more like something that you might find in Leonardo’s sketchbook than on the wall of on ancient Roman Villa from 1200 years earlier.
I agree that minimalism can outdo realism. Art can show what the mind sees, not what the eye views.
I literally just saw a video on cave paintings the other day and one of the oldest set of cave drawings ever found in France (dating almost 14,000 years ago) are some of the most detailed, and realistic depictions of animals in artwork I’ve seen.
I don’t think it took long to be realistic. It started realistic and evolved into stylization. And then looped back to realistic being cool again.
THE PROPER TOOLS.
YOU try scrawling on a cave wall with nothing but the charcoaled end of a stick you pulled out of a fire and see how well you can draw with that kind of media and tools.
As technology progressed, so did the tools used.
Michelangelo was using a fresco technique painting onto still wet plaster and used egg whites or glue made from animals to help the paint stick. He used a variety of brushes, not just a charcoal stick.
Further, just something as simple as a variety of colors took hundreds of years of technological advancement to achieve.
Don’t underestimate the need for quality tools!
It’s true. Though not a complete answer, because realism lagged behind the tools needed for it. And it’s interesting how once one person can do it, suddenly everyone can do it. That says something shit is as a species. We can only do what we’re able to imagine? And as soon as we see someone do it, that barrier is gone?
Also the time needed to perfect that skill wouldn’t have been available that far back. If you’re needing to spend the bulk of your time hunting/gathering food and other forms of basic survival I don’t think you’d have the hours every evening to work on your shading techniques.
Excellent point, as others have astutely pointed out, a love of the arts is often cultural, and most artists need essentially a set of people who love their art and buy it or they will be a “starving artist.” So you also need a society that appreciates art enough to let certain people have all that time.
Exactly. Taking in the expansive view before you is nice, but the giants we stand upon, stable societies and technological advancements, are worth a glance or two.
something as simple as a variety of colors took hundreds of years of technological advancement
If anyone is looking for a rabbit hole to go down, the history of pigments is a great one.
Art isn’t a progression. “Realism” isn’t necessarily a goal.
If capturing some subject in the most naturalistic way possible was the goal of art, there would be no need for paintings after the invention of the camera, and sculpture would be obsolete because of 3d scanning. Art must be something beyond capturing nature, otherwise there would be no reason for humans to do it.
Art must be something beyond capturing nature, otherwise there would be no reason for humans to do it.
For a long time, art was also the only way to portray what people and places looked like. Not all art needs to try and convey the reality, but some ancient patrons would undoubtedly have wanted portraits that looked as close to their real faces as possible. The Fayyum portraits in another comment and other explanations, such as materials being mostly handmade and paintings being unlikely to survive answer my question better, really.
I do find it interesting that folk think Renaissance art is realistic.
I’m being a little glib, but the truth is that we are still looking at hyper-idealised bodies.
The main difference,I suspect, is the use of perspective rather than drawing on a flat plane. In a way it took a leap of imagination to make things look more “realistic” whilst sculpture was merely (again, said with a certain smirk) just mimicking what the artist could see and feel in the real world.
That is to say that sculpture is reproduction whilst drawing is representation, and with representation you need to be able to take some pretty big leaps for both the artist and the viewer to work these things out.
Realistic as in “this is a believable real person” not “this is exactly what everyone looks like”
I actually was fortunate enough to visit the Sistine Chapel this summer, and although when you take a close look at images online of the paintings, it’s clear they aren’t “realism”, when you see the paintings in person they look very real. I was especially struck by how real Jonah looked, as if he was just hanging out, sitting on a ledge near the ceiling. Very cool experience.
I’m not an expert on the subject, but i didn’t see anyone else mention time as a factor. For a long time humans were simply too busy trying to survive. Once civilizations started coming around along with extremely wealthy and powerful people, then more time for leisure, art, and science came. Some of the extremely wealthy people of the past hired artists, mathematicians, scientists, musicians, etc to just live with them and study full time. The expectation was that they would share their work.
For a long time humans were simply too busy trying to survive.
Humans had culture and art during all times, regardless if you understand it or not.
This is incorrect. Not only did humans used to work significantly less and we (the working class, anyway) in the past few centuries have less leisure time than ever, but if anything, the introduction of what you consider “civilisation”, and especially class and money, harmed art more than anything by giving the power and control over it to those who aren’t creating it, and leaving those who are, starving, like the rest of the plebs, or completely undiscovered due to lack of privilege, opportunity, and access.
Art and science were largely the domain of the rich and bored for a long time. This wasn’t really conducive of attracting those with talent, just those with the means.
Materials.
If you’d have seen the marble sculptures when they were new, you would have described them as anything but realistic. We now know that many, if not most, sculptures were painted in bright garish colours.
Why paint a delicately crafted sculpture with a dodgy paint job? Party taste, perhaps, but more definitely because that was what was available.
The paints that we have now are carefully designed, mixed and stored to deliver a wide range of colours of a consistent quality (and even modern companies like GW struggle with that!).
The further back you go, the fewer pigments there are and the less sophisticated the binders are. It’s no coincidence that the rapid explosion in science and trade of the Renaissance led to the rapid development of paints. Even in those days, an artist didn’t buy paint, they made it - access to new raw ingredients was all that was needed.
So, why the Renaissance? Because it’s the earliest point in time it could have been possible.
because that was what was available.
Yes, we’ll go with that one.
chefs kiss
Just to add another factor to the ongoing discussion: artistic talent isn’t uniform and never was. Just because only/mostly “immature” art survived from a certain century of human history, doesn’t mean that there literally was no realistic art present at the time. Since you mentioned the statues already…
These are from the same era (around 200 BC), but as you may have guessed, made by different artists =P The statue is called The Dying Gaul by the way.
As for painting examples, I guess the Rothschild Canticles[1] book illustrations represent best what most people nowadays would call medieval art. Not exactly realistic, a little goofy … perspective? Never heard of it. Proportions? Who cares. And who needs shading anyway?! As long as you can still distinguish a human from a cupcake, it’s “eh good enough”.
I guess that was also what you meant by “immature” art, because it is the same art style as those goofy weird pictures of knights fighting giant snails and rabbits riding cattle into battle and the like.[2]
That book is dated to be around 1500–1520 so it would be easy to assume that people at the start of the 15th century didn’t have a realistic art style yet. But you know what else was made in that same era?
The Mona Lisa (1503–1506).
One dorky meme-esque style, and one realistic, modest and easy-on-the-eyes style in the same century, probably even the same decade. But they were used by different artists.
Now you might be thinking that those art styles might have been intended for their respective purpose or something along the lines: that the goofy, simple art style was used for nothing but amusing little pictures, and the more realistic style was for “proper” art, because noone in their right mind would spend 100+ hours painting highly detailed nonsense just for sh*ts and giggles, right?
May I introduce you to Joseph Ducreux?[3]
I guess most of you will have seen that meme by now, but this is a real painting made by a real artist - and it is far from the only one. Ducreux created an entire series of similar self-portraits in … unusual poses and situations.
… so yes, at least that one guy DID indeed spend dozens if not hundreds of hours (plus material costs) painting amusing nonsense for his own entertainement. He was, in a way, the victorian era equivalent of a shitposter (and I mean that in a good sense!)
Long story short: one can’t just claim that “they didn’t have X art style in Y century” because the truth is much more facetted than that. It is way more likely that each and every era of human history has had people with insane talent who were able to create art as realistic as possible with whatever tools their lifetime had to offer, and also a bunch of “eh good enough” art or stuff that was deliberately stylized for fun. How we percieve said art today depends mainly on what artworks have survived up until now, and/or how popular the surviving art is. (Everyone and their grandma knows about the Mona Lisa, but how many of y’all knew about the Rothschild Canticles?)
If we don’t know about any realistic art from a certain period of time, it doesn’t automatically mean that there was no realistic art. It may have been lost, forgotten or it exists but it’s just not popular enough to be well-known.
Requires knowledge of geometry and that shot is hard. Perspective lines and angles and etc.
Culture mainly. Same reason why some artists today draw photorealistic drawings and others draw more cartoony. You don’t need to draw or sculpt something to be hyper-realistic to explore the abstract nature of art.
Art supplies were historically not cheap. If you wanted to do this for a living, you were probably needing to aim for selling your art to the rich upper class. That implicitly meant catering to their fickle tastes and working on commission. You didn’t make art for you and find your audience later, you made art for the customers you had or you starved.
And to put it bluntly, realism wasn’t the fashionable hotness for most of human history. The more “crude” styles you may think of as objectively inferior to and less technically impressive as realism were in fact the styles in demand at their respective times. Fashion existed in ancient and medeival times just like it does today, and those styles were the fashion.
The idea of the independent eccentric artist who lives secluded in their ideas cave producing masterpieces for no one in particular leaving the world in awe at their genius every time they come out with something to show is a very modern concept. If any artist wanted to make a realism painting in an era where it was not popular, they’d be doing it purely for themselves at their own expense. So virtually no one did. Or if they did, their works largely didn’t survive.
First reason is the knowledge and understanding to paint like this has come and gone. We have paintings from Egypt from 100 BC that is very realistic. They are known as the Fayyum portraits.
Also, paint isn’t the most long lasting of materials, so less painted anything still survives. While many don’t know about it, but Greek and Roman statues were painted.
They all look like me when I look at my reflection when I’m tripping balls
I didn’t know about those Fayyum portraits, they’re amazing!
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