I see your point, but I also saw Juiced Bikes go out of business last month after 15 years in the industry.

We’ve got about 2.5 gigabit up and down in my neighbourhood so we’ll be good in that department. I’m going to see if any of my group are interested. I suppose the limit here will then be how many streams my machine can handle at one time. Guess I’ll find out. I appreciate your insight.

Cheers.

When I read it, I agree with you - but when I say decimate, it sure sounds like it should mean near total destruction.

I feel odd when correcting grammatical issues in documents from my attorney. What am I paying you for?

Ah I completely forgot streaming away from home. My travels tend to have limited internet access, and so my practice is to download things we might watch through Findroid.

Given your friends have access to your library, what do you think would be required (ideally) for streaming to work without transcoding? As simple as a beefy internet connection, a 4k screen and them having a Shield or equivalent?

I only ask because I know a number of my circle use Shields already and I think the ones in my neighbourhood are all on gigabit connections. Might be worth looking into so long as I’m not in for upgrading the machine. I’m more of a set and forget person myself.

Stepping aside from this particular thread for a moment. Could you share why you need hardware transcoding?

Admittedly, I don’t quite understand what components would build a better machine as far as a media server goes, but I turned off hardware transcoding when I first set Jellyfin up on a NUC. The only issues I have are the startup speed of the app, and every now and then it crashes when loading the library and I just relaunch it and it’s fine.

I’ve assumed it’s the Nvidia Shield doing the heavy lifting as far as playback goes, because I’ve never had a recurring problem with playing any particular file. I’m starting to think I don’t really appreciate the benefits of hardware transcoding.

Echoing @Bronzie@sh.itjust.works, I downloaded the first party app right from the Play Store on my Samsung. Though I prefer the third party, Findroid, the first party app is good for the dashboard management.

When we launch Jellyfin, we are shown icons for what user, we select the user, and it opens the associated library. Similar to Netflix.

I started using Jellyfin about two years ago now, and have only encountered a codec issue here and there, but I’ve found it can be worked around by setting playback to another player, like VLC.

From what that article says, this fee is only charged to a PayPal balance. I have no clue who’s keeping a balance in a PayPal account, but it’s not like they’re going to charge someone’s payment methods.

Not defending them, I just find it surprising that they have any customers this could even apply to.

Not sure why people are beating up on @nxn@biglemmowski.win for saying his opinion. Different people value different things.

I think I can answer your question though. Buying a console is a plug and play experience. Building a PC is not. Not everyone has the time, the patience, or the technical experience required to purchase compatible components, assemble the machine, and install the various software.

Anyone that’s ever bought a prepared meal has overpaid in comparison to acquiring the ingredients, prepping them, and cooking the dish. It’s worth the price to do so because I sure as hell don’t want to spend time making a bowl of French onion soup.

In theory, Sponsorblock could evolve to download a new video multiple times, check what frames match each copy, and use that data to skip to the next matching frame when users watch something.

This would overcome video stream ad injection even if every ad was a different length and in a different location each time someone watched the video.

“Ireland does not give preferential tax treatment to any companies or taxpayers,” stated a spokesperson from the Irish Ministry of Finances.

I wish the media would eviscerate these people like they used to.

The saxophone battle that unfurled on the New York City subway ten years ago comes to mind.

Does your name happen to be David?

I believe your point was that non profits are superior. My counter was simply that, yes, they are superior to a public company, however they are not infallible to fact that people run them, and people are corruptable.

Forgive me but I’m not sure what to say about the second bit there. Nebula being created and owned by people that needed something like it in the first place is not ideal? Or not because of the people specifically, but because of its closed sourced design and profit sharing ratio? Maybe I’m misunderstanding you.

At the end of the day, I would prefer each creator host their own content on their own site, with it being sort of subscribable through an RSS feed or similar so people can use whatever front end they want. Like how podcasts work. Have a feed for sponsorships available for free, and a paid feed with no sponsorships and maybe bonus content.

I’d not heard of Ko-fi, but it looks interesting. On the face of it, it’s pretty close to what I described above without the creatives themselves having to fuss about with the technical details of hosting all their content. I’ll look into it more another day, thanks.

Not to be rude, but unless you’re an Alphabet executive, what do you know. Same as me - not much.

My guess is they aren’t losing money on YouTube these days, but feel free to look at the 2023 10-K and let me know if you find something in there that no one else has.

I understand it’s expensive to facilitate streaming, though between the 15 billion from Premium subscribers to the 30 billion in ad revenue, it’s not hard to imagine they make a few billion after costs. I’m not trying to say it’s half of Alphabet’s income or anything.

Unfortunately, it’s not something anyone outside of the executive suite can say with a single degree of certainty since Alphabet doesn’t make it known one way or the other.

Ultimately, people do have to be trusted. Even the best non profit in the land can find itself a board of directors that decide to convert the organisation to a for profit model, then in turn go public.

As far as supporting individual creators, Nebula was created by a group of YouTube creators. They got it off the ground by keeping the opportunity cost as low as they could, and by enticing people with the 50:50 split profit from the subscriptions.

What’s more than this though, is that everyone making content on Nebula has an ownership stake. This is discussed in this video at 11:00, but the highlight is this: if the platform is ever sold, the creators get half the money from the sale.

Non profit is one thing, but the platform being employee owned I think provides greater motivation to grow.

I just wrote a rather long comment to that person and now I’ve realized they are being purposefully obtuse.

You playing the content on YouTube is entirely justified. Lots of people put the news on a television instead of a radio while doing things around the house, because occasionally something visual is referenced or something is said that seems interesting enough to look over at the screen.

Besides, it’s not like the person that went through the effort of putting together a ten hour long essay is going to publish just the audio as a podcast or something.

That person’s an egg head, you enjoy your essays.

I did read your comment a few times, looking for a different tone, to see a meaning perhaps I misunderstood, but I can’t find it.

For what it’s worth, Harry Potter isn’t relevant to any of this besides being used as the example. They could have said Star Wars, pottery, landscaping, or astrology. Their point was moreso, ‘I watch long form content that isn’t found anywhere but on YouTube, and Harry Potter is an example of this content.’

You go on to mention the content in every line of your initial comment, and mentioned the platform only once. They enjoy a thing, you don’t understand how they can enjoy that thing.

Whether intentional or not, I can’t see what you’ve written as anything but a critique.