I’m trying to get a gauge of what people here are interested in.

  • Tekkip20@lemmy.world
    link
    fedilink
    arrow-up
    3
    ·
    5 months ago

    My favourite film has gotta be 1986 “Aliens”

    Some tension, some horror, some action.

    And Ripley was both pretty and a good asskicker of xenos.

  • pathief@lemmy.world
    link
    fedilink
    arrow-up
    1
    ·
    5 months ago

    My favorite movie is the Matrix (the first one). Gutted by what they did in the sequels.

    Favorite genre is definitely Fantasy, love the world building in these movies.

    • AFallingAnvil@lemmy.ca
      link
      fedilink
      arrow-up
      0
      ·
      edit-2
      5 months ago

      I’d like to propose a micro-genre: Bromance films

      Definition: Two or three characters (who need not actually be men) just getting up to mad shit and being great friends either before or as a result of the journey. Not entirely unlike a buddy cop movie but no need for cops.

      Examples: Princess Bride, Road to El Dorado, Emperor’s New Groove, Three Musketeers

      This micro-genre is absolutely predicated on the quality of it’s dialogue but it’s some of the best out there.

  • Cowbee [he/they]@lemmy.ml
    link
    fedilink
    arrow-up
    0
    ·
    5 months ago

    Big fan of long-form science fiction. Bladerunner 2049 is fantastic, as is Stalker by Tarkovsky.

    Tarkovsky in particular has brilliant works.

    • eightpix@lemmy.world
      link
      fedilink
      arrow-up
      0
      ·
      5 months ago

      Sci Fi top 6 ‐ focusing a bit on the soft sci-fi

      1. 2001: A Space Odyssey (1968) dir: Stanley Kubrick

      2. Arrival (2016) dir: Denis Villeneuve

      3. Her (2013) dir: Spike Jonze

      4. BladeRunner (1982) dir: Ridley Scott

      5. Children of Men (2006) dir: Alfonso Cuarón

      6. GATTACA (1997) dir: Andrew Niccol

      • demesisx@infosec.pub
        link
        fedilink
        English
        arrow-up
        8
        ·
        5 months ago

        Little known fact: all mattes are shot on first generation film. Kubrick would shoot the matte, put the film in storage, put it back in camera, then shoot the inside of the matte. It looks pristine to this day because there was no generation loss since there was only one generation even in the most effects heavy shots.

      • d13@programming.dev
        link
        fedilink
        arrow-up
        0
        ·
        5 months ago

        If you haven’t seen it, Ex Machina (2014) fits the vibe of your list. It’s one of my favorites.

      • I_Has_A_Hat@lemmy.world
        link
        fedilink
        arrow-up
        0
        ·
        5 months ago

        I can recognize 2001 as being incredible and inspiring for its time, but it doesn’t hold up very well. By modern standards, it is painfully boring and tedious.

        • SanguinePar@lemmy.world
          link
          fedilink
          arrow-up
          0
          ·
          edit-2
          5 months ago

          Disagree, I think 2001 is perfect. Yes it’s slow, but that’s intentional, it’s part of the feeling of the film.

          Modern standards don’t really apply, because I don’t think anyone nowadays is trying to do what Kubrick was, nor (obviously) was he trying to live up to any standards of future movie making.

          Each to their own of course, but wanted to put a friendly counterpoint :-)

          • eightpix@lemmy.world
            link
            fedilink
            arrow-up
            0
            ·
            5 months ago

            2001 is timeless.

            Political intrigue, technological advancement, piercing the unknown, all drawn on the backdrop of an innocuous, normal exploration mission.

            Until things go awry.

            As directly inspired by 2001, I’d count a bunch of modern classics: Children of Men (2006), Sunshine (2007), Passengers (2016), the Expanse (TV series), and more.

            What Kubrick did write the story with Arthur C. Clarke, slow the pace to reflect the long-haul nature of the mission — let alone the slow pace of human development — and focus on the sheer scale of progress needed to achieve such exploration. He also ensured that the conflict was truly tangible and high-stakes. Simple and human in its genesis, but devastating in its execution. Then, confronting ET intelligence as truly “other.”

            Perfect.

    • eightpix@lemmy.world
      link
      fedilink
      arrow-up
      0
      ·
      5 months ago

      Actually, I’m wondering now what you thought of the 2002 Solaris remake. I’ve not seen the Tarkovsky version, and I’m assuming you have. Of his other films, I’ve heard of Stalker. Recommend any others specifically?

      • Cowbee [he/they]@lemmy.ml
        link
        fedilink
        arrow-up
        0
        ·
        5 months ago

        Haven’t seen either of Solaris, but the big deal here is that the US version loses a lot of Tarkovsky’s specific, drawn out and contemplative styling in favor of a more active and dynamic version for the US.

        Andrei Rublev and Mirror are standouts, to my knowledge, and are generally seen as better than Solaris but not quite as great as Stalker.

    • eightpix@lemmy.world
      link
      fedilink
      arrow-up
      0
      ·
      5 months ago

      Seen the following?

      Very Bad Things (1999)

      Kiss Kiss Bang Bang (2005)

      the Nice Guys (2016)

      Miller’s Crossing (1990) — I love this film.

      Grosse Pointe Blank (1994)

      Happiness (1998)

      • Zathras@lemm.ee
        link
        fedilink
        English
        arrow-up
        1
        ·
        5 months ago

        Haven’t seen a few of those. Thanks for the suggestion. Will add them to my to my list. :)

  • Khrux@ttrpg.network
    link
    fedilink
    English
    arrow-up
    0
    ·
    edit-2
    5 months ago

    I’m a 50/50 toss up between two reasonably different genres.

    The first is coming of age films, particularly queer ones. My go to film to call my favourite is Call me By Your Name, I also love Stand By Me, Aftersun and have a huge soft spot for Kiki’s delivery service.

    The other ‘genre’ is dramas / thrillers that get pretty fixated on madness, particularly from the protagonist. There will be Blood is my go to second film to say, and I love Apocalypse Now, Perfect Blue, The Witch and The lighthouse.

    I’m not as much fan of when the genres overlap however, although that may be because of how small the sample size is. There are quite a few films that have a young protagonist who is finding themselves, who may end up idolising another to the point that the film falls into being a thriller. We had Saltburn last year, which people often compare to The Talented Mr Ripley, and I do enjoy these films but I never get that milestone feeling that I’ve just experienced a piece of media that has profoundly impacted me. The only thing that exists in this shared space is one of my favourite novels; The Picture of Dorian Gray.