I’ll go first. Mine is that I can’t stand the Deadpool movies. They are self aware and self referential to an obnoxious degree. It’s like being continually reminded that I am in a movie. I swear the success of that movie has directly lead to every blockbuster having to have a joke every 30 seconds

  • @Valmond
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    -27 months ago

    Just the beginning with the party, with dwarves in a sort of dance-cleaning party was absurd IMO.

    They’re there to fight or die, only Gandalf (IIRC) managed them to even consider taking a hobbit with them. It should have been grim, but with a take making it possible, not a song and dance performance.

    In all it’s too “American” (IMO) ; simplistic plot with easy to understand graphic battles. Then Win!

    I also hated the painful play of Frodon and Sam, like some sort of painful master/slave idiocy. Not naming a totally overplayed Gollum.

    Well well, I remember the end of the Hobbit was plaisant, and it was a long time ago I saw them so maybe I should rewatch them :-)

    • PP_BOY_
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      107 months ago

      You seem to be confusing the two trilogies, I don’t think many LOTR fans will defend The Hobbit movies for anything but the performances. Also with regards to “it’s all too American,” the LOTR films were written and directed by a New Zealander based on a story by a Brit

      • ofk12
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        27 months ago

        For American audiences though, that’s where the money is. And who produced it too. Not saying you’re wrong, just to anyone outside the US it has the feel of it.

        • PP_BOY_
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          17 months ago

          and who produced it too

          From Wikipedia:

          Produced by

          Barrie M. Osborne (United States) Peter Jackson (New Zealand) Fran Walsh (New Zealand) Tim Sanders (New Zealand)

      • @Valmond
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        17 months ago

        I didn’t say it was an American movie, just that it is “too American”. Too dumbed down. Too “bad person bad, because ugly”, “good person good looking and will win”, graphic battles etc.

    • ofk12
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      57 months ago

      The Frodo/Sam dynamic comes from Tolkien’s experiences in WW1. A fair example of this dynamic would be the Blackadder/Baldrick dynamic in Blackadder Goes Forth.

      Apparently it was a thing where higher class soldiers had a bloke supporting him. Not sure if it was solely based on rank or social status

      • @Valmond
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        17 months ago

        Interesting, bug the book isn’t cringy like that though.